Tuesday, June 6, 2017

Tansman and Gorecki Sessions, VI Congress of Polish Studies, Krakow, 17 June, 2017 (Vol. 8, No. 6)


There will be two sessions about music at the Sixth World Congress of Polish Studies, organized jointly by Polish Institute of Arts and Sciences in America , Polska Akademia Umiejetnosci, and the University of Gdansk in Krakow, Poland. The Congress is scheduled for June 16-18 at the  Polska Akademia Umiejętności at ul. Sławkowska 17 in Krakow, and includes presentations by nearly 200 scholars from various areas of the humanities and social sciences, including studies of Polish history, literature, art, music, institutions and individuals. 

The music sessions are about Aleksander Tansman and Henryk Mikolaj Gorecki, both great lovers of Chopin's music, especially his mazurkas.  Tansman's volumes of mazurkas are well known contributions to the genre.  Gorecki famously cited Mazurka Op. 17 No. 4 in the Symphony No. 3, Symphony of Sorrowful Songs, and believed that Chopin's music, like his own, was inspired by Polish folklore, especially religious folk song:

"Chopin - who learned how to move his fingers quickly over the keyboard - had a good memory: he knew almost all music, he was sensitive, attentive, erudite, but that was not all, that was not enough. He knew all the piano literature, but in order to be "Chopin" he had to do something special within himself, inside himself. These sounds were in his mind; one person would say that they were in his heart, someone else that they were in his head. Composers are like that. Somewhere within us the music sounds, we are surrounded by these sounds. But what would one do with all that music? This is an incredible truth, an incredible discovery. It is clear that it was filtered through his education, his knowledge but that there was the source for his melodies. There is no other melody like Chopin's."

~ Henryk Mikolaj Gorecki in conversation with Maja Trochimczyk, forthcoming in Gorecki in Context: Essays on Music (Moonrise Press, 2017)



Tansman and speakers at the Wroclaw Conference, March 2017


Saturday, June 17, 2017 , 10:45-12:15,  Session 25  
Hall No. 26,  Polska Akademia Umiejętności at ul. Sławkowska 17 in Krakow
120 lat Tansmana: O muzyce i życiu kompozytora-emigranta (1897-1986)
Celebrating Tansman's 120th Birthday: About the Music and Life of a Composer-Emigre (1897-1986)
Session is in Polish — Hall No. 26 

Chair: Maja Trochimczyk (Moonrise Press)

Speakers: 
  • Maja Trochimczyk (Moonrise Press), “Tansman ‘In Tempo Americano,’ 1941-1946” 
  • Małgorzata Gamrat (University of Warsaw), “Tansman o Muzyce Polskiej - Analiza Pism Kompozytora”  
  • Andrzej Wendland (Tansman Festival Łódź), “W poszukiwaniu Złotego Runa. Rzecz o zaginionej operze Aleksandra Tansmana”


Gorecki in his studio, Katowice, April 1998.


Saturday, June 17, 2017, 13:15-14:45 Session 30  
G. Labuda Hall,  Polska Akademia Umiejętności at ul. Sławkowska 17, Krakow
On Symphonies of Henryk Mikołaj Górecki (1933-2010) 

Chair: Maja Trochimczyk (Moonrise Press) 

Speakers: 
  • Martina Homma (Bela Verlag, Cologne), “Gorecki’s Symphonies no. 1 and no. 2: On Expansion and Restriction in  Gorecki’s Personal Style” 
  • Maja Trochimczyk (Moonrise Press), “Górecki Conducts Górecki: The Third Symphony in Los Angeles” 
  • Andrzej Wendland (Tansman Festival Łódź), “Górecki’s Fourth Symphony ‘Tasman Epizody’ - The Phenomenon and Mystery” 
The Tansman Session is a follow up to the conference held at the Karol Lipinski Academy of Music in Wroclaw in March 2017, celebrating the 120th birthday of the composer, as discussed earlier on this blog

The Gorecki Session is in anticipation of the publication of the collection of essays and interviews, Gorecki in Context: Essays on Music, edited by Maja Trochimczyk. The book was initially proposed for 2012, and is now in preparation for publication date of the Fall of 2017.  

Maja Trochimczyk with Henryk Gorecki, April 1998

GORECKI IN CONTEXT: ESSAYS ON MUSIC

EDITED BY MAJA TROCHIMCZYK

Moonrise Press, 2017

ISBN  978-1-945938-10-8 (paperback)

ISBN 978-1-945938-11-5 (e-book, E-Pub format)

 CONTENTS

⦾ Maja Trochimczyk – Introduction

⦾ Luke B. Howard – Why Love Górecki?

⦾ Maja Trochimczyk – Mountains of Grief (Poem) 

⦾  ⦾  ⦾

⦾ PART I ⦾ GÓRECKI ON LIFE AND MUSIC

⦾ Chapter 1 ⦾  Conversation with Henryk Górecki: Leon Markiewicz, July 1962  — Translated by Anna Maslowiec

⦾ Chapter 2 ⦾  “I Am Always Myself” – Says Henryk Mikołaj Górecki in Conversation with Mieczysław Kominek (December 1993)

⦾ Chapter 3 ⦾   About Life and Music: A Conversation with Henryk Mikołaj Górecki (Zakopane, 16 July 1997) — Maja Trochimczyk

⦾ Chapter 4 ⦾ “Composing is a Terribly Personal Matter:” A Conversation with Henryk Mikołaj Górecki (April 1998) —Maja Trochimczyk

⦾ Chapter 5 ⦾ “Music is a Conversation:” Henryk Mikołaj Górecki Talks to Anna Wieczorek and Krzysztof Cyran (29 April 2008) —edited by Małgorzata Janicka-Słysz. 


⦾ PART II ⦾  GÓRECKI’S LIFE AND MUSIC

⦾ Chapter 6 ⦾  Górecki’s Life and Music: A Bird’s Eye View — Maja Trochimczyk

⦾ Chapter 7 ⦾  ’The Utmost Economy of Musical Material:’ Structural Elements  in the Works of Górecki from Refrain (1965) to Ad Matrem (1971) — Anya Maslowiec

⦾ Chapter 8 ⦾ Henryk Mikołaj Górecki’s Symphony No. 2 Copernican:  Word and Sound and the Sublime — Kinga Kiwała

⦾ Chapter 9 ⦾ Mothers and Motherhood in Górecki's Third Symphony and Other Works  — Maja Trochimczyk

⦾ Chapter 10 ⦾  Górecki and the Polish Musical Tradition. Wacław of Szamotuły, Chopin, Szymanowski, Polish Folk and Church Music — Teresa Malecka

⦾ Chapter 11 ⦾ Henryk Mikołaj Górecki’s Music for Chorus a Capella — Teresa Malecka

⦾ Chapter 12 ⦾  Górecki at the Keyboard: The Special Role of the Piano in his Oeuvre — Teresa Malecka

⦾ Chapter 13 ⦾ Górecki in Los Angeles — Maja Trochimczyk

⦾ Chapter 14 ⦾ The  Phenomenon and Mystery of Górecki’s Fourth Symphony, Tansman Epizody — Andrzej Wendland


⦾  ⦾  ⦾


⦾ List of Works by Henryk Mikołaj Górecki  

⦾ Bibliography

⦾ Index