Showing posts with label waltz. Show all posts
Showing posts with label waltz. Show all posts

Tuesday, April 10, 2018

Sharing the Delight in Chopin's Music - More Poems for the Spring (Vol. 9, No. 3)


Lilac, By Maja Trochimczyk

The Chopin with Cherries anthology of Chopin-themed poems was published by Moonrise Press in 2010. Perhaps it is time for an update and a follow-up? There have been many more poems about Chopin written since then.

Vintage Postcards ca 1900, Krakow. From Chopin with Cherries.

One collection is found on the website called "Hello Poetry" (https://hellopoetry.com/words/chopin/) where I read  whole series of poems from around the world. Here's a sample that resonated with me.  I'm illustrating the poems with my photographs of spring flowers from Descanso Gardens in La Canada, CA. For music interludes, I picked some interpretations by Valentina Lisitsa, whose expressive  hands create magic on the keyboard. There is one by another Valentina, Igoshina, who looks just oh, so romantic, in her ballgown by the piano...


Crocus by Maja Trochimczyk


Untitled

Find a beautiful piece of art. If you fall in love with Van Gogh or Matisse or John Oliver Killens, or if you fall love with the music of Coltrane, the music of Aretha Franklin, or the music of Chopin - find some beautiful art and admire it, and realize that that was created by human beings just like you, no more human, no less.

by Tiana


Forget-me-nots, by Maja Trochimczyk

It is raining Chopin

It is raining Chopin

Reminding me that together we are an arpeggio
Alone, I am played in legato
I plant myself in every horizon and
at one end of each rainbow; the other end belonging to somebody else.
I watch the clock and can tell it is 8:00 when the train passes
but I can’t see the hands move.
It is 2012 not because of the fireworks in
limbo between December and January, but because
I can feel the red yarn in me tightening –
I have less.

By Emma


Azalea, by Maja Trochimczyk


Rain

torrential teardrops join pavement
transforming surface to sheets of glass
patient trees plants flowers quenching their thirst
stray animals bemused hovering with caution
only to find shelter in the rustic shed
the good Samaritan leaves scraps
through the makings of savory soup
passing cars washed in rain
will sparkle come sun
lounging indoors focusing through drenched windows
raindrops like opals
pattering on copper roof
cascade as peaceful shower
fairytale sound, sight and smells
invite nestling with a book
cup of tea and scone complete the pallet
with glowing candles
a sanctuary of Chopin preludes
surrendering to peaceful sleep

by Lorilynn


Magnolia reflections, by Maja Trochimczyk



Melancholic Chopin

Such passion flows from fingers

that scale the controlled embellishments
of Chopin.
The melodies swirl in your brain
as you try to imagine caressing
the ivories with every female voice
that Chopin encountered.
Expressing profoundly the experience
of Chopin's work cannot be described
on paper.
It must be felt.
Only then will you find passion in its raw form.

by  Wíštfûł Wáñdêręr 


Lilac, by Maja Trochimczyk

                        Listen: Chopin's Waltz Op. 69, No. 1 in A-Flat, by Valentina Lisitsa

I danced

There on that Orange flavor

I danced on a stick of cinnamon
The aroma from the petal blue berries swishing past the Gum trees.
I danced through the night with awareness of the other side.
There I touched the essence of hew.
Oh true dancing on a sonnet from Chopin.
Swans on the canal swimming sweet tunes of yesteryear, oh 
to be there again ..oh the Green grass.oh to touch the green grass
that moves to your innocent love.oh lovely.

Come dance all around the world.

by RGKirk


Azalea Forest by Maja Trochimczyk


Come Listen

Come listen to.

Come listen by.
Come listen, come listen

The sun dapples in adjectives

in a language without words.
The movement of the leaf
like the dance of the honey bee.
Through a turmulent stream of hellos
they talk to each other.
Can you hear them my darling?
Come listen to.
Come listen by.
Come listen, come listen.

Not many can, anymore.

If ever they could (which I doubt).
Ancestors of flat grey we paint
with colorful commentary,
but it's too much to hold.
It's too much to believe.
Their ears-- closed as their scions.
Come listen to.
Come listen by.
Come listen, come listen.

You can train yourself--

your ears, your eyes.
to catch the whispers of 
nightlace and dayfire.
Like the small entices of 
old friends-- long lost.  
Forever there.
The Chopin of the rain,
the Dead Kennedys of  
eyes in the night.
Just listen to.
Just listen by

Just listen, just listen.

by Pete Badertscher


First apple blossoms, by Maja Trochimczyk


In films, Chopin's music appears often, especially TV series from Korea and China. Whenever there is a scene of luxury, someone enjoying their villas, their wines, their riches, there is Chopin in the background. Whenever there is a scene of melancholy love -  "happiness in the rain" sort of thing - there's Chopin. Whenever there is a sweet nostalgic moment of someone who lost a loved one - there is Chopin.  Sometimes, Chopin's music appears as contrast: when a vicious killer, gangster, an all-out-evil person, sits there and listens to Chopin while plotting new crimes. But that is rare. "Beauty for beauty" seems to be the main "topos" associated with the expressive use of Chopin's music on the small screen. And why not?
Violets, by Maja Trochimczyk

The majority of poets I encountered on "Hello Poetry" also used Chopin's music as a starting point to reflections about love, desire, loss, missing someone desperately or remembering fondly the nights of gentle kisses and wine-red-hot passion... But there is so much more than that, so much more than that... As the last poet in the series above has noted. "Come, listen..."

Lilac, by Maja Trochimczyk

But I would not be a poet loving Chopin, if I did not have the last, poetic word on my own blog. I wrote about Chopin and violets in 2014 (http://chopinwithcherries.blogspot.com/2014/02/chopins-roses-and-violets-and-spring.html). Yes, he definitely loved the delicate scent of violets.

On 21 November 1848 Chopin wrote to his friend Wojciech Grzymala to with instructions how to prepare his apartment for his arrival back in Paris: "On Friday, order a bouquet of violets so that the parlor is fragrant - let me have some poetry at home, upon returning."

Spring is...

...the poetry of violets
mist of lilac perfuming 
the air outside your window

Spring is...
...veiled by the Nocturnes - 
Chopin's notes floating up
into galaxies of nocturnal light

...sweetened by white hyacinth  
announced by the lively whistles 
of red-winged blackbirds in your garden

Spring is...
...forgetting darkness, oh, 
the densest, most suffocating 
darkness of death, winter, killings

... dark memories erased
by the flutter of sparrows' wings
and flurries of piano notes carried by wind

Spring is...
...the magic of the Minute 
Waltz and a half-forgotten melody 
of the nightingale - calling you back home, 

into childhood, back to Poland, not yet lost - 



(c) 2018 by Maja Trochimczyk

Anemone, by Maja Trochimczyk







Tuesday, June 28, 2011

On Chopin and Film (Vol. 2, No. 9)

Poster for Chopin - A Desire for LoveThe failure of actors and directors to adequately portray a "genius" composer - be it Beethoven, Mozart or Chopin - speaks to the richness of our collective imagination that creates a mental image of the composer of such complexity and sophistication that it becomes virtually impossible to match it with just one man.

When you see Hugh Grant in Impromptu (1991) do you really think of Chopin? Or is the enchanting persona of the famous actor too large for the composer to humbly fit in? Polish fans of Piotr Adamczyk would adore him in Chopin: Desire for Love (CHopin: Pragnienie Milosci) - but would they see the "real Chopin" in this handsome, healthy youth? His love-interest, George Sand, played with incredible charisma by Danuta Stenka stole the show anyway... At least, this film, directed by Jerzy Antczak and with Jadwiga Baranska as Chopin's mother, is recognized as the most historically accurate depiction of Chopin's life.

Much earlier, Charles Vidor attempt to narrate Chopin's life in A Song to Remember (1945), but the main protagonist in this film, Cornel Wilde, looked more like a gun-slinger from a Western than the sick and feeble Romantic. At least the pianist, Jose Iturbi, gave justice to the music.

Photo from film The youth of Chopin
Paradoxically, the most "Chopin-like" of all actors trying to impersonate the extraordinary pianist was Czeslaw Wollejko in The Youth of Chopin (Mlodosc Chopina) directed by Aleksander Ford in 1952. This film does away with the romance that fascinates virtually all other film makers and focuses on the years 1825-1831, Chopin's first European tours, rise to fame, and emigration. Here, the young composer is filled with patriotic zeal; he is tormented at the thought of being unable to return to Poland from Vienna where the news of the 1830 November Uprising reached him. Portraying Chopin as the friend of peasants and workers, the "soul" of the nation in the new Socialist-Realist aesthetics, the film is invaluable to music historians as it contains a unique scene with original Polish folklore performed by villages and not trained dance troupe based on Soviet models. Just for this scene, a crowded wedding dance with furious obereks, the film is worth its weight in gold...

I have to admit here that my knowledge of filmed Chopins is incomplete, since I have never seen the 1934 film by Géza von Bolváry, released in German, Abschiedswalzer: Zwei Frauen um Chopin (Farewell Waltz). The film starred Wolfgang Liebeneiner as Chopin and Sybille Schmitz as George Sand. Recently found and screened in Japan, The Farewell Waltz apparently inspired a famous Japanese film-maker, Kihachiro Kawamoto to create puppets based on the main characters. It is possible that this film added to the incredible popularity of Chopin in Japan - you may see its fragment on the website of Nishikata Film Review.

Thus, we may conclude that there are no successful "Chopin"'s on the screen. How about the music? In contract to the compser, it seems that it has become the perennial favorite of movie-makers, appearing in just about everything, from romantic comedy to period drama, and action movies. I've adapted the table of credits from another website (Music Timeline by Art Sulit) by adding some titles, including the biographies and The Karate Kid that I discussed on this site:

Titles of Chopin's Works - Title of the Film

  • Prelude No.2 in A min, Op.28 No.2 "Presentment of Death" - Autumn Sonata

  • Waltz in C# min, Op.64 No.2 - The Avengers

  • Nocturne in Eb "Murmures de la Seine", Op.9 No.2 - Blue Lagoon

  • Nocturne No.8 in Db "Les plaintives 2" - Bodily Harm

  • Various (played by Janusz Olejniczak) – Chopin: Desire for Love (Chopin’s biography, 2004)

  • Mazurka, Op.17 No.4 - Cries and Whispers

  • Mazurka No.13 in A min, Op.17 No.4 - Empire of the Sun

  • Prelude in Db, Op.28 No.15 "Raindrop" - Face/Off

  • Various – The Farewell Waltz (Chopin’s Biography, 1934)

  • Les Sylphides - Getting It Right

  • Waltz (Waltz No.1 in Eb "Grande valse brillante", Op.18 B62) Les Sylphides - The Hudsucker Proxy


  • Various – Impromptu (Chopin’s biography, 1991)

  • Nocturne in C-sharp minor, Op. Posth. – The Karate Kid

  • Nocturne in Eb "Murmures de la Seine", Op.9 No.2 - Man Trouble

  • Nocturne No.19 in E min - Mind Games

  • Prelude in Db, Op.28 No.15 "Raindrop" - Moonraker

  • Mazurka No.23 in D, Op.33 No.2 and Waltz No.10 in B min, Op.69 No.3 - Nixon

  • Polonaise No.6 in Ab "Héroique" - Nothing Lasts Forever

  • Etude No.23 in A min "Winter Wind" Nothing Lasts Forever

  • Prelude No.20 "Funeral March" - Paradise Road

  • Nocturne in C# min, Op.27 No.1 and Nocturne in F min, Op.55 No.1 - The Peacemaker

  • Mazurka in A min, Op.68 No.2 - The People vs Larry Flynt

  • Nocturne in C Sharp Minor, Op. Posth. Nocturne in E Minor, Op. Posth.; Nocturne in C Minor, Op. 48, No. 1; Ballade No. 2 in F Minor, Op. 38; Waltz in A Minor, Op. 34, No. 2; and Prelude in E Minor, Op. 28, No. 4 (Janusz Olejniczak) and Wladyslaw Szpilman, playing Chopin's Mazurka, Op. 17, No. 4, in Warsaw in 1948 - The Pianist

  • Polonaise in Ab, Op.53 and Prelude in Db, Op.28 No.15 "Raindrop" - Shine

  • Waltz No.14 in E min - Sneakers

  • Various (played by Jose Iturbi) – A Song to Remember (Chopin’s biography, 1945)

  • Marche funébre (Funeral March) Piano Sonata No.2 - Space Jam

  • Piano Concerto No.1, 3rd mvmt. - 10 Things I Hate About You

  • Piano Concerto No.1, 2nd mvmt. - The Truman Show

  • Waltz No.11 in Gb major, Or 70, No. 1 - V.I. Warshawski

  • Various – The Youth of Chopin (Chopin’s biography, 1952)

    Enough? Perhaps for today. The list continues... Let us listen to a non-filmic Chopin, recorded by Artur Rubinstein: Fantaisie Impromptu Op. 66.