Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Thursday, May 31, 2018

On Chopin's Mazurkas and Grateful Conversations (Vol. 9, No. 4)


Chopin's Piano at the Polish Library in Paris

I really identified with Chopin and Polish exiles, when I wrote my Ode of the Lost, and How to Make a Mazurka, two poems about nostalgia of emigres who lost something they did not think they could miss, something as basic as the color of the summer sky, or taste of a special kind of cake at Easter. 

Both poems have now been published in a brand-new anthology, Grateful Conversations, that I co-edited with Kathi Stafford. It includes workshop poems and self-portraits in poetry by my writing group, Westside Women Writers, that I started to attend in 2008.  Ten years of monthly workshops documented in 280 pages, including poems and photographs.  The preface and table of contents are reproduced on Moonrise Press Blog. I also cite three of my poems on my Poetry Laurels blog .

"Polish Sky" torn-paper collage by Barbara Gawronski in a California desert. 

An Ode of the Lost

~ to Adam Mickiewicz and all Polish exiles

Tired exiles in rainy Paris listen to Mickiewicz 
reciting praises of woodsy hills, green meadows—
distant Lithuania, their home painted in Polish verse, 
each word thickly spread with meaning, 
like a slice of rye bread with buckwheat honey.

“Litwo! Ojczyzno moja! ty jesteś jak zdrowie.
Ile cię trzeba cenić, ten tylko się dowie,
Kto cię stracił”—he says, and we, homeless Poles
without ground under our feet, concur, 
sharing the blame for our departure. 
There’s no return. 

Are not all journeys one way? Forward, 
forward, go on, “call that going, call that on.” 
The speed of light, merciless angel with a flaming sword,
moves the arrow forward. Seconds, minutes 
stretch into years. Onwards. Go. 
The time-space cone limits the realm of possibility. 
If you stay, you can go on. If you leave—

Can you find blessing in the blur of a moment? 
In a glimpse of soft, grassy slopes shining 
like burnished gold before the sun turns purple? 
Can you learn to love the sweet-fluted songs 
of the mockingbird, forget the nightingale? 

How far is too far for the lost country 
to become but a dream of ancient kings—
where children never cry, wildflowers bloom,
and autumn flutter of brown, drying leaves 
whispers of the comforts of winter? 

Sleep, sleep, eternal sleep, 
in the spring you will awaken…

NOTE: Quotation in Polish ( “My country! You are as good health: How much one should prize you, he only can tell who has lost you”) is from Adam Mickiewicz’s Invocation to Pan Tadeusz, or the Last Foray in Lithuania. The second quotation is from Samuel Beckett’s The Unnamable.



The second poem reprinted in the Grateful Conversations was inspired by Chopin's mazurkas and dedicated to my maternal grandparents, where I heard Chopin's mazurkas and ate those made by my grandmother.  The mazurkas above are California variations on her recipes, with addition of ripe strawberries, not available at Polish Easter tables, to the chocolate-almond-shortbread mazurka, and candied orange peels decorating the royal mazurka of dried fruits and nuts. 


How to Make a Mazurka

~ after Chopin’s Mazurka in A Minor, Op. 17, No. 4,
   for my Grandparents, Stanisław and Maria Wajszczuk,  
   who could play and bake their mazurkas like no one else

Take one cup of longing
for the distant home that never was,
one cup of happiness that danced
with your shadows on the walls

of Grandpa’s house, while he played
a rainbow of folk tunes
on his fiddle, still adorned
with last wedding’s ribbons

          mix it – round and round to dizziness

stir in some golden buzz of the bees
in old linden tree, add the ascent
of skylark above spring rye fields,
singing praises to the vastness of blue

           mix it – round and round to dizziness

add chopped walnuts, figs, dates
and raisins, pour in some juice
from bittersweet grapefruit
freshly picked in your garden

            mix it – round and round to dizziness

add dark grey of rainclouds in Paris
that took Chopin back to the glimmer
of candles in an old cemetery
on the evening of All Souls’ Day

         mix it – round and round to dizziness

bake it in the cloudless heat
of your exile, do not forget to sprinkle
with a dollop of sparkling crystals,
first winter’s snowflakes at midnight 





Other notable recordings: 

Swiatoslaw Richter in 1950 in Moscow: https://www.youtube.com/watch?v=JmQv57QYRqU

Walter Gieseking in 1938:  https://www.youtube.com/watch?v=tWqQwiVsiYc

Ignacy Jan Paderewski in 1912: https://www.youtube.com/watch?v=5RuVyTY5sl4


Imagine how this Mazurka could have sounded if you could hear Chopin playing it in Nohant or in his apartment in Paris!

Reproduction of Chopin's last salon at Place Vendome in Paris with his piano, 
Chopin Museum Warsaw, photo (C) 2010 by Maja Trochimczyk


The Royal Mazurka, California orange version

Thursday, November 5, 2015

Maria Szymanowska in Paris for the Third Time, November 25-27, 2015 (Vol. 6, No. 11)

Maria Szymanowska by Walenty Wankowicz, ca. 1825.
Collection of the Polish Library, Paris.

The 3rd International Symposium about the composer Maria Szymanowska (1789-1831) and her times will take place on 25-27 November 2015 at the Polish Academy of Sciences’ Paris Center (74, rue Lauriston, Paris 16e). The previous conferences took place in 2011 and 2014. This edition of the Szymanowska Symposium will be dedicated to "Talents of Women: The Borders between Myth and Reality."  We will focus on the question: "What do we know about the cultural heritage of women (“matrimoine” in French) of this epoch?"

Researchers and musicians from 10 European countries and the U.S. will be discussing the recent scholarly findings and the current state of knowledge about Szymanowska and other women of influence from her time period. A rich musical program of works composed by women will be presented. Singers will be accompanied on the period instrument, Johann Alois Graff pianoforte (1825). This concert, held on Wednesday, 25 November 2015, entitled “Fondness for music” will open the Szymanowska Symposium, filled with scholarly presentations and musical interludes. 




A historic Johann Alois Graff pianoforte from 1825, private collection of Bart van Oort.



The Director of the Paris Center of the Polish Academy of Sciences, Dr. Marek WIĘCKOWSKI will open the proceedings moderated by the President of the Maria Szymanowska Society, singer Elisabeth ZAPOLSKA-CHAPELLE. The participants include scholars from Poland, France, and the U.S.: Helen GEYER, Valérie COSSY, Maja TROCHIMCZYK, Françoise PITT-RIVERS, Jérôme DORIVAL, Jean-Marc WARSZAWSKI, Irena PONIATOWSKA,  Maria STOLARZEWICZ, Irène MINDER-JEANNERET. The music will be presented by Ms. ZAPOLSKA-CHAPELLE with pianist Bart VAN OORT, as well as an international group of pianists: Marcia HADJIMARKOS, Edoardo TORBIANELLI, Claudia Dafne SEVILLA CARRION, Francoise TILLARD,  Petra SOMLAI, Ekaterina GLAZOVSKAYA, and Iwo ZALUSKI. 

The 3rd International Maria Szymanowska Symposium  has been organized jointly by the Maria Szymanowska Society and the Polish Academy of Sciences’ Paris Center. The program is reproduced below (in French). For more information & reservations contact the Maria Szymanowska Society: societe.mariasz@laposte.net. 

3e Colloque international 

Maria Szymanowska (1789-1831) et son temps

Talents au féminin: Mythes et réalité

Sous le Haut Patronage de l’ Ambassadeur de Pologne en France Son Excellence Monsieur Andrzej Byrt
                                               
Paris, 25-27 Novembre 2015, Centre Scientifique de l’Académie Polonaise des Sciences, 74, rue Lauriston, Paris 16e
                                                                          
organisé par la Société Maria Szymanowska et le Centre Scientifique de l’Académie Polonaise des Sciences à Paris
__________________________

MERCREDI 25 Novembre - Wednesday, 25 November 2015
Opening Presentation
18h00    Allocution d’ouverture

Monsieur Marek WiĘckowski, Directeur du Centre Scientifique à Paris de l’Académie Polonaise des Sciences
Concert autour du piano Johann Alois Graff in Wien 1825 (collection Petra Somlai & Bart van Oort, Pays Bas)

Concert - Gourmandise de musique
Elisabeth zapolska, mezzo-soprano & Bart VAN OORT, piano
Annette von Droste-Hülshoff (1797-1848) / Johann Wolfgang Goethe
Lied des Harfners                                                                         
Maria Theresia von Paradis (1759-1824) / Johann Timoteus Hermes
Morgenlied eines armen Mannes                                              
Maria Szymanowska (1789-1831) / Louis-François Jauffret        
Complainte d’un aveugle qui demandait l’aumône au Jardin du Roi à Paris
Hortense de Beauharnais (1783 – 1837) / François Guillaume Ducray-Duminil
Romance                                                                                                       
Hélène de Montgeroult (1764-1836) / Metastasio
Nocturne N°6 à voix seule avec accompagnement de Piano Forte    
Isabelle de Charrière (1740-1805) / Le Comte de St-Méran
Air avec accompagnement de Clavecin                                                                 
Maria Szymanowska (1789-1831) / Madame de Saint-Onge
Ballade                                                                                                         
Louise Reichardt (1779-1826) / Philipp Otto Runge
Die Blume der Blumen                                                                                              
Louise Reichardt (1779-1826) / Ludwig Tieck
Genoveva                                                                                                      
Sophie Gail (1775-1819) / Anonyme
N’est-ce pas [d’] elle                                                                          
Bolleros                                                                                                                                      
Maria Szymanowska (1789-1831) / Cervantes, trad.Florian
Le Départ                                                                                                     
Fanny Hensel née Mendelssohn (1809-1847) / Johann Wolfgang Goethe
Harfners Lied                                                                                               
Über allen Gipfeln ist Ruh                                                          
BART VAN OORT, piano             
Maria Szymanowska (1789-1831)
Romance du Prince Galitzine                                                                                   
Hélène de Montgeroult (1764-1836)
4e Sonate, en sol mineur                                                                                           
Allegro con molto espressione (1er mouvement)                                   
MARCIA HADJIMARKOS, piano
Maria Szymanowska (1789-1831)
Menuet N°4  en sol mineur : Vivace                                                                        
Polonaise en fa mineur                                                                              
EDOARDO TORBIANELLI, piano                            
Caroline Boissier-Butini (1786-1836)
1ère sonate : Allegro (1er mouvement)                                                                    
Variations sur deux airs languedociens : 
Introduction-Lento-Andante-Andante-Presto
Claudia dafne sevilla carrion,  piano
Hélène de Montgeroult (1764-1836)
Etude N°113                                                                                                
Maria Szymanowska (1789-1831)
Nocturne en si bémol majeur       
FRANçOISE TILLARD, piano
Fanny Hensel née Mendelssohn (1809-1847)
Lied pour piano en mi bémol  majeur : Andante espressivo - Più Allegro - Tempo primo
Lied op. 4 n°2 en do dièse mineur                                                            
Lied op. 6 n°4 en la mineur Il Saltarello romano                                                 
PETRA SOMLAI, piano
Clara Schumann (1819-1896) - Soirées Musicales op. 6
N° 2 : Nocturne en fa majeur                                                                                    
N° 3 : Mazurka en sol mineur                                                                                  
N° 5 : Mazurka en sol majeur                                                                                  
PETRA SOMLAI & BART VAN OORT, piano
Maria Szymanowska (1789-1831)
Nocturne Le Murmure, version à 3 mains                
20h00    Cocktail d’inauguration
Participants of the 2014 Szymanowska Symposium, Prof.  Halina Goldberg at the Piano.


JEUDI 26 Novembre - Thursday, 26 November 2015   
Scholarly  Papers with Musical Interludes    
10h15    Accueil des intervenants par la modératrice du Colloque
               Elisabeth ZAPOLSKA-CHAPELLE
10h30    Helen GEYER     
               The four women conservatories of  Venice : models of  life, rivalry and outstanding examples of quality                
11h15    Valérie COSSY
               Du "talent" pour demoiselle à l'expression de soi : la musique selon Isabelle de Charrière et Jane Austen
                              p a u s e  d é j e u n e r
14h00    Première madeleine musicale - par Marcia Hadjimarkos, piano
14h30    Maja TROCHIMCZYK
               Szymanowska in the Circle of Duchess Maria Czartoryska de Wittemberg
15h15    Françoise PITT-RIVERS
               Madame Vigée Le Brun, Angelica Kauffmann, deux peintres  musiciennes
               pause café
16h15    Jérôme DORIVAL                            
               Influence d’Hélène de Montgeroult sur la génération romantique
               avec l’aimable participation de Marcia Hadjimarkos, piano


Participants of the 2014 Szymanowska Symposium


VENDREDI 27 Novembre -  Friday, 27 November 2015.  


Scholarly  Papers with Musical Interludes  

10h15    Jean-Marc WARSZAWSKI
               Musiciennes au temps de Maria Szymanowska : un contrepoint  d’inégalités et de préjugés
11h00    Deuxième madeleine musicale – par Claudia Dafne Sevilla Carrion, piano           
11h10    Irena PONIATOWSKA                   
               Etudes  et  Préludes  de Maria Szymanowska : leur apport dans l'art pianistique européen des premières décennies du XIXe siècle
11h50    Troisième madeleine musicale – par Ekaterina Glazovskaya, piano                         
               p a u s e  d é j e u n e r
14h00    Quatrième madeleine musicale – par Iwo ZALUSKI, piano
14h15    Maria STOLARZEWICZ
               History of a musical friendship : Michał Kleofas Oginski & Maria Szymanowska
15h00    Irène MINDER-JEANNERET
               Entre cosmopolitisme et patriotisme : les « airs nationaux »  dans les compositions de Caroline Boissier-Butini (1786-1836)
15h30    Cinquième madeleine musicale – par Edoardo Torbianelli, piano                            
               pause
17h00    Salon musical de clôture  -Invite à la danse

18h00    Cocktail de clôture


Participants of the 2014 Szymanowska Symposium, PAS Paris. 




Tuesday, January 7, 2014

Chopin and Szymanowska, Again - Paris, April 2014 (Vol. 5, No. 1)


After three years, the 2nd International Conference on "Maria Szymanowska and Her Times" will take place in Paris, at the Polish Academy of Sciences - Paris, on April 28-29. The conference will include an international array of scholars, and an impressive assortment of topics, gathered again by the indefatigable Elizabeth Zapolska, president of Maria Szymanowska Society.  The comparison of Chopin and Szymanowska's styles will be presented by pianist Slawomir Dobrzanski, who recorded all of Szymanowska's piano pieces for Acte Prealable in Poland.  Ms. Zapolska issued a double CD of all songs composed by Szymanowska, on the same label.

Dr. Benjamin Vogel, Prof. dr hab. Irena Poniatowska and Elizabeth Zapolska

 LIST OF PARTICIPANTS

1) Prof. Irena Poniatowska – Institut National Frédéric Chopin, Warszawa

2) Prof. Benjamin Vogel – Lund University, Institut National Frédéric Chopin: Le pianoforte - élément clé d’un salon musical en Pologne et en Russie au temps de Maria Szymanowska (in English)

3) Prof. Dr hab. Jerzy Miziołek – Directeur du Musée de l’Université de Varsovie : Maria Szymanowska, née Wolowska, dans l’entourage des personnages clés du renouveau intellectuel et culturel réunis autour de l'Université de Varsovie fraîchement créée.

4) Prof. Dr hab. Hanna Konicka – Paris

5) Dr Hubert Kowalski – Directuer adjoint du Musée de l’Université de Varsovie : sujet à préciser, peut-être sur les contacts de Bertel Thorvaldsen avec la Pologne et l’Université de Varsovie

6) Dr Slawomir Dobrzański – Kansas State University : New Insights and Discoveries. Maria Szymanowska and Fryderyk Chopin - texte lié à la présentation d’illustrations musicales „live”

7) Dr Bart van Oort - University of the Arts, The Hague : interprétation „live” d’oeuvres de Maria Szymanowska sur un piano du XIXe siècle, suivie de commentaires sur les spécificités de pianos anciens

8) Dr Jean-Marc Warszawski - Université Paris VIII, directeur du magazine www.musicologie.org : compositeurs juifs au temps de Maria Szymanowska

9) Dr Elena Grechanaya – Université d’Orléans, C.N.R.S. : L'album féminin en Russie à l'époque de Maria Szymanowska

10)Dr Maja Trochimczyk - President of Moonrise Press, Los Angeles : « les Chants historiques » de Niemcewicz, et tout particulièrement - ceux de Maria Szymanowska (in English)

11)Anna Kijas - University of Connecticut : possiblités de promotion du personnage et de l’oeuvre de Maria Szymanowska grâce aux projets et programmes existant sur Internet

12)Karen Benedicte Busk-Jepsen - Muzeum Thorvaldsena w Kopenhadze : un regard nouveau sur les contacts amicaux entre Maria Szymanowska et Bertel Thorvaldsen - à travers leur correspondance

13)Dr Piotr Daszkiewicz - Muséum national d'Histoire naturelle (Paris) : Humboldt, Cuvier, Jarocki et les autres - les naturalistes et les salons artistiques au temps de Maria Szymanowska

14)Dr Adam Gałkowski –Université de Varsovie : femmes de talent, femmes d’action au temps de Maria Szymanowska

15)Dr Iwona Agnieszka Siedlaczek – Société Polonaise de Phylosophie, Section de Lublin: sujet à préciser

16)Dr Paweł Maciejko - The Hebrew University of Jerusalem : la famille Wolowski en tant que représentant des « frankistes » polonais

Maja Trochimczyk with Szymanowska's portrait.